COMPASS is a site-specific, outdoor art installation of 3800 hand-made, ceramic sculptures designed to celebrate the opening of the Royal Canadian Geographical Society headquarters. It is made up of four sculptural shapes - feathers, roses, fleurs-de-lys and birds - arranged in the shape of the compass rose logo of the RCGS. Each sculpture is unique, authentic and original but together they tell a larger story.
COMPASS tells the story of the three main groups of people here at the time of Confederation, Canada today and Canada projected into the future. The feathers, roses and fleurs de lys are sculptures that were part of a special project for Canada's sesquicentennial in 2017 called Populace, where 9000 of these exact pieces were installed at the Canadian Museum of Nature. Now, Populace has been re-imagined as Compass, which tells the story of the Indigenous peoples (feathers), the British peoples (roses) and the French peoples (fleurs-de-lys). 195 ceramic birds have been added, one for every country in the world today. The installation, which is oriented due north, is designed in all white to highlight the meaning behind the project: peace in all directions. The feather sculptures are the most numerous and are at the centre of the project, respecting the first peoples to Canada and the land upon which the installation stands. At night, a 4-directional light display eminates from the installation's centre and shines upward as a beacon of hope. A bright Canadian future that sends a message of peace in all directions.
Populace was a significant outdoor, ceramic art installation. It recognized the people who lived in the Ottawa area at the time of Confederation by creating thousands of ceramic feathers, roses and fleurs de lys, recognizing the Indigenous peoples, the English and the French.
The installation was set on the grounds of its site partner, the Canadian Museum of Nature from June 17, 2017 until September 4, 2017. Each flower and feather was hand-built out of ceramic clay, fused with a lustrous light glaze and installed on individual rods on the Museum’s grounds.
Populace involved numerous individual and community ceramic groups, community centres and high schools that contributed to the production and installation of the ceramic sculptures. The installation was open and free to the public.
Populace delighted visitors who walked freely about the installation, took photographs and became immersed in the experience. Populace was an initiative designed by the Ottawa Guild of Potters to highlight the ceramic arts for Canada’s 150th celebrations, to engage with the larger community to create a beautiful example of public art that was enjoyed by thousands of visitors.
Kirstin Davidson is the coordinator of the proposed project. Kirstin has been working with clay for sixteen years. She has served on the OGP Executive as VP, President and Past President. Kirstin has coordinated the giving of charitable donations for the OPG. Through her leadership, seventeen different local charities have received in excess of $11,000. In 2006, Kirstin orchestrated the OGP's presence at the Canadian Tulip Festival and in 2009, Kirstin helped organize and install the OGP’s 30th Anniversary exhibition at the Craft Ontario Gallery.
Kim Lulashnyk manages the media, outreach and administration for the proposed project. Kim has been working in clay for six years and has recently held her first solo show at the Dust Evans Gallery and her work is found in galleries in Ottawa, Merrickville and London, ON. She is the Workshops and Speakers Coordinator for the OGP. In 2014, Kim was nominated as an emerging artist for the Premier’s Awards for Excellence in the Arts. Kim holds two MA’s from Carleton University in English literature and Canadian Studies where her thesis year focused on Public Art.
Hilde Lambrechts is the designer and landscape architect behind the proposed project. Hilde holds a PhD in Biology from the University of Utrecht, The Netherlands and started her art career in Ottawa in 2004. Hilde’s work has been shown both nationally and internationally. She was a finalist in 2012 for the RBC-CAO Emerging Artist Award for her work in clay. She is the founder and President of Figureworks.org, a not-for-profit organization promoting art of the human form. Hilde is the Secretary of the OGP and a volunteer ceramics teacher at the Boys and Girls Club in Ottawa.